Sam's thoughts and feelings.....
Fame
Fame was my first musical. I was so green, because I had never done a musical theatre course, as Stella Mann did not provide it during my time there as a student. I didn't even know you needed a dictaphone to record your harmonies, so I didn't have one for the first day of rehearsal. If only iPhones existed then HA!
The choreography of Fame was exquisite to dance, I really felt like I was in heaven, we had street, classical and contemporary styles of dance, versatility at its best.....
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I was totally surprised when I exited the stage door after the first performance of Fame had finished and people stopped me to say how much they enjoyed my performance. I wasn't one of the lead roles in Fame just an ensemble dancer, but yet my small role in the show had reached out to some of the audience. It was such a lovely feeling to know I had moved someone with my performance, there is no greater reward as a performer......
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Saturday Night Fever
My first West End Show was Saturday Night Fever. Just when I thought it couldn't get better doing musicals there I was in the West End.
Being in the West End was just the cherry on the cake. I was teaching during the day, doing a dance class for myself, then going on to dance and sing in a fabulous show. I couldn't ask for more, well actually I could have asked for more time in the day HA!......
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Fosse
Fosse!!! Really, any performer who knows their musical history, knows what an honour it is doing Bob Fosse's work. But it didn't stop there, working for and with Ann Reinking makes me speechless. I was inspired by Ann as a dancer, so to be chosen by her to do her solo ("Trumpet Solo") which was created for her by Bob Fosse was a scary, massive pressure and responsibility of an honour to do.
The trumpet solo was in the finale of the show and the hardest number I had ever done. To have to do the Trumpet solo right at the end of such a hard dance show was killer. But the support of my cast mates was awesome, without fail every night most of them were in the wings cheering me on. That's when you really know you're in a cast of great people, and not just great performers..........
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Unsung Heroes
The unsung heroes of musical theatre are the dressers and crew. Any show could not go on, if it wasn't for our lovely dressers and crew. Without them we wouldn't be safe on stage or make most of our costume changes. Imagine having to wash your own costumes after each show. I don't think enough respect goes to them.
Sam Modeste
Sam never planned on working in musical theatre. She was advised when she was 26 years old to get some singing lessons to enable her to be able to have the option to audition for musicals. After a year of singing lessons Sam auditioned for her first musical and succeed in being offered her first musical contract at 27 years old.
Sam went on to have an 11 year successful career in musicals. Her credits are original cast for nearly all of her West End musicals or 1st Cast for tours of a musical. ......
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The most exciting contract for a musical is original cast, as performers become part of the process of the development of the show, a choreographer will have their idea of what they would like to create, but the dancers' ability also inspires how challenging the choreography will be.
A musical contract is usually for 12 months, original cast contracts are around 15 months, allowing 3 months for the creation of the show.....
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Sam's musical credits are “Fosse” World Tour (UK, Europe and Japan) “Saturday Night Fever” at the London Palladium,)“Fame”( both British Tour and at the Victoria Palace) “Anything Goes” (at the National Theatre) “Tonight’s the Night” (Rod Stewart musical at the Victoria Palace).